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Game Review: Band Frontman Jason Williamson Assumes Role in Critical Look at 90s Rave Culture

Helmed by Portishead co-founder Geoff Barrow, this sharp-edged though undernourished debut feature turns a sceptical eye on 90s rave culture. Venal pillhead David (the actor) initially steals from an passed-out supplier, then in a later recollection tries to burgle his own parents. Before you can say, he's upside down in the wreckage of his car in a woodland – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with no time for townies, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”

A Shaky Start and Darkly Funny Confrontation

Game gets off to a shaky start, lingering excessively on pedantically chronicling David’s attempt to free himself from his safety harness, while awkwardly transitioning into past scenes of his normal activities. The bigger point – that the ecstasy generation were mainly focused on themselves – is clearly conveyed. But these brief episodes are too thin to adequately prepare us for what to expect when the Woodsman arrives, enraged after David kills his dog. Nevertheless, a grimly amusing duel unfolds – David eager to get away; the Woodsman denying his container of scrumpy, intent on soaking him instead in resentful talk. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.

Visual Flair and Promo-Inspired Sensibility

Just a single key story turn, but it results in a comically executed rampage on the forest trails that veers toward folk horror. Director John Minton at last unleashes with his showy imagery: where he was focused intently doing artful shots of bugs in headlights in the early stages, he now lets rip with the full lysergic 21-gun salute, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an extended promo than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.

The film releases in UK and Irish cinemas from November 17.

Written by

Kevin Bauer

A tech journalist and digital strategist with over a decade of experience covering emerging technologies and their impact on daily life.

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